Tuesday, Sept 23, 1:30-3:20 PM, Phelps 207
pp. 117 – 146 (up to Musical Applications…)Roads, Ch. 21, “MIDI”
pp. 972 – 990 (up to Status and Data Bytes)Logic Pro 8 User Manual
pp. 996 (from Continuous Control via MIDI) – 1000
Ch. 2, “Overview of the Logic Pro Interface”Logic Pro 8 Getting Started
Ch. 1–4
Class03.pdf
Finish Exercise 1
Hours TBA, YalMusT Lab, Studio B16A, 143 Elm Street
musique concrète Edwin Welte's Light-tone Organ Pierre Schaeffer's Phonogène Mellotron Fairlight CMI looping - choral samples ADSR envelope - attack, decay, sustain, release splice looping, crossfade looping pitch-shifting sample-rate conversion downsampling - (fewer samples, faster, higher pitch) upsampling - (more samples, slower, lower pitch) interpolation sample library additive synthesis Telharmonium harmonics histogram phase partial inharmonic time-varying additive synthesis control data versus sound MIDI standard - 1983 MIDI messages bits and bytes MIDI ports - IN, OUT, THRU MIDI computer interface (MIDI interface) MIDI THRU - daisychaining, diagram p. 979 MIDI Channels single MIDI connection carries 16 channels Controller Change continuous controller 7 bit field for controller number 7 bit field for value 1 Modulation Wheel 2 Breath Contoller 4 Foot Controller 7 Main Volume 10 Pan 64 Damper Pedal (Sustain) [Data Byte of 0-63=0ff, 64-127=On] 96 Data Increment 97 Data Decrement Pitch Bend applies to the entire channel 7 bits coarse range 7 bits fine range 14 bits total 16,384 pitch Divisions