Work-in-Progress Series
All lectures will be held in Rm. 106 at 143 Elm Street at 12:30 pm unless otherwise noted.
Spring 2007
2 February
Angela Marroy
Landscape and Expectation in Late Eighteenth Century Viennese Opera
9 February
Lauren Holmes
Music and Intermediality in Virginia Woolf’s 'The Waves'
16 February
Malcolm Gillies
Bartók's Musical Mind -- What his Letters Say about his Music
23 February
Rebecca Cypess
Marini's Sonate in Pursuit of the Stile Rappresentativo
2 March
Dan Harrison
Heads and Tails: Subject Play in Bach’s Fugues
30 March
Markus Rathey
Bach's Early Cantatas: Facts and Fiction
13 April
Marc Perlman
A Cognitive Approach to the History of Music Theory: Patterns of Discovery from Zarlino (1517-1590) to Diz (1917-1993)
20 April
Benjamin Bagby and Katarina Livljanic (Sudler Hall)
Medieval Performance Practice: Perspectives on Liturgical Chant, Vernacular and Latin Song, and Anglo-Saxon Epic Poetry.
27 April
Robin McClellan
On Rhythm in Pibroch
Fall 2006
22 September
David Clampitt
Scale Theory and Renewed Dualism
29 September
Clare Eng
'Red Detachment of Women' and the Enterprise of Making 'Model' Music During the Chinese Cultural Revolution: Recapturing an Abandoned Dream.
6 October
Paul Berry
In Search of an Audience for Allusion in Brahms's Solo Songs
13 October
Kristin Shaffer
Syntax in Radiohead's 'Packt Like Sardines in a Crushd Tin Box'
20 October
Vasili Byros
"Tonal oder Atonal?": Interval Cycles, Whole-Tone Tonality, and the Dialectics of Musical Process in Berg's Piano Sonata, Op. 1
27 October
Rebecca Cypess
Marini’s Lyric Sequence
10 November
Zach Victor
Mozart, Mother, and Memory: K. 310 and the Sad Summer of 1778
1 December
Phil Bohlman
Ex Oriente Lux: Islam and the Eurovision Song Contest
