Work-in-Progress Series
All lectures will be held in Rm. 106, Stoeckel Hall, 469 College Street at 12:30 pm unless otherwise noted.
Spring 2009
23 January
Tiffany Kuo
Race and Democracy in Berio's 'Babylon'
30 January
Brian Kane
Listening to "The Burrow"
6 February
Anna Gawboy
The Wheatstone Concertina and Symmetrical Arrangements of Chromatic Space
13 February
Michael Denning
Reflections on a book-in-progress, tentatively entitled 'Noise Uprising: World Musical Revolution in the Age of Electrical Reproduction'
20 February
Esther Morgan-Ellis
Mike Seeger and the Transmission of Old-Time Music
6 March
Patrick McCreless
The Tragedy of King Saul: The Biblical Account, and Christiansen and Nielsen's 'Saul og David'
27 March
Juraj Kojs
Expanding aural perception. From physical to cyberspace.
3 April
Moira Hill
Rethinking the Role of Continuo in the Accompaniment of Schuetz's Vocal Works
17 April
James Hepokoski
Clouds and Circles: Rotational Form in Debussy's 'Nuages'.
Fall 2008
19 September
Brian Kane
Aspect and Ascription in the Music of Mathias Spahlinger
26 September
Mark Spicer
Selling a Condo with a Song
10 October
Ève Poudrier
Vincent d'Indy's Theory of Rhythm in the Cours de composition musicale (1902-1950): Sources, Reception, Legacy
17 October
Lauren Holmes
Children of the World in Harmony: Performing National Identities in an International Context
24 October
Gundula Kreuzer
'Wagnerdampf: Steam' in 'Der Ring des Nibelungen' and Operatic Production
31 October
Leanne Dodge
"Quels sons harmonieux?" Staging Sensation in Jean-Philippe Rameau's 'Pygmalion'
21 November
Ève Poudrier
Polymetric Potential and Realization in Elliott Carter's Short Instrumental Works
